THE ART OF LIVING IN AUSTRALIA TOGETHER WITH THREE HUNDRED AUSTRALIAN COOKERY RECIPES AND ACCESSORY KITCHEN INFORMATION BY MRS. H. WICKEN TEXT

flavour. There is an inseparable connection between the two senses of smell and taste, for when anosmia or loss of the sense of smell occurs, all taste, except for bitterness, sweetness, sourness, and saltness, is completely lost, so far as ideas of flavour, &c., are concerned. Brillat-Savarin, the high-priest of gastronomy, quaintly puts it that smell and taste form only one sense, having the mouth as laboratory, with the nose for the fire-place or chimney; the one serving to taste solids, the other gases. George Dallas, too, the gifted author of THE BOOK OF THE TABLE, also expresses the association of taste and smell in an apt way. He makes reference to the fact that the other senses are not dependent on each other, but that the hearing becomes more acute in a blind man. On the contrary, taste is made for marriage, and smell is its better half. Taste loses, as he says, all its delicacy when it cannot mate with a fine olfactory nerve. The late Dr. Druitt has likewise noted that the union of smell with taste is essential for the enjoyment of wine. From the foregoing it will be seen that when we speak of taste we refer to a complicated and extremely delicate process. There is this also to be remembered, that it is a sense which can be cultivated to a high degree; and in the wine-taster it is brought to the very pitch of excellence. Yet, notwithstanding all this, it must be a matter of every-day experience, that people will profess to an ability to judge wine when they know absolutely nothing of the various points, so to speak, to be looked for. What I mean is this, that there are many different things to be observed when a wine is tasted, and that each one requires to have proper judgment bestowed upon it. What these are I shall endeavour to speak of in due course. Wine tasting is a fine art as seen with the COURTIERS or experts who are employed by the large houses in Bordeaux. There are exceptional qualifications required for this office, for its holders must possess a delicate and highly trained palate, and an exquisite and perfect sense of smell, while at the same time a lengthened experience and unerring discrimination in the value of the wine submitted to them are also called for. Mr. James Smith, in his prize essay, already referred to, quotes with approval the following passage from a French authority:-"The COURTAGE of wines is, then, a true science, which is acquired by long observations, by numerous tastings, extensive practice, and a correct judgment; a science which has rendered, and is daily rendering, true and important services to our vinicole department (that of the Gironde); for, by this means, intelligent classifications have given to our GRANDS CRUS a universal reputation, and have made our best wines known and appreciated throughout the civilised world. In the judging of wines, therefore, at least four essentials are necessary: two of the senses--the taste and the smell must be perfect--while great experience and special knowledge must be equally present." Now, there is an old saying, DE GUSTIBUS NON EST DISPUTANDUM, and consequently every person has a perfect right to like what pleases him; so that in this way anyone may prefer to drink whisky, or any other form of spirits, and he is quite entitled to believe there is nothing so good for him; but, on the other hand, an habitual spirit-drinker must not claim to possess a correct judgment in estimating the qualities of a good wine; for, as a matter of fact, the daily influence of whisky on the palate is absolutely fatal to its delicacy of perception. There are none of the graceful flavours, none of the delicate ethers, none of the perfumed bouquets in whisky that belong to a wholesome wine. No, there is only the coarse spirit which benumbs the palatal nerves, and renders them incapable of picking out these vinous attributes. Moreover, it would almost seem that a person's very thoughts are controlled by his customary beverage. It is evident, indeed, that Richard Bentley, one of the greatest scholars of modern times, believed in this doctrine; for did he not make this memorable remark to one of his pupils: "Sir, if you drink ale, you will think ale"? Is it not true, also, that with many people champagne is regarded as the highest type of wine? This is more likely to be the case with those who are beginning to realize the pleasures of life. Indeed, as it has been acutely remarked, a youngster from college, when invited to dinner, thinks himself badly treated if he does not get it. Now, it is not to be denied that champagne is, in its way, an imperial drink, and that it has a specially exhilarating effect. But, at the same time, it must be remembered that it is on the other side of the champagne stage of life that the appreciation of really great wines begins. Take, for instance, a comparison of the wines of Bordeaux and of Burgundy. These are two distinct classes of wine, and, according to Mr. Sept. Berdmore, should be imbibed different days. That they are entirely distinct wines might only be expected, seeing that the geographical positions of the two districts are so far apart. The Bordeaux wines come from the south-western or Bay of Biscay side of France, while those of Burgundy belong to her eastern portion. It is almost universally a matter of belief that the red wines of Bordeaux should be warmed gradually--taking some hours--before they are drunk. The temperature of these wines should be as nearly as possible the temperature of the dining-room itself. The finest clarets are often utterly spoiled from the fact that this has been disregarded, and they have been brought to table without ally preparation. In the case of Burgundy, however, an opposite treatment is required, and by many connoisseurs it is considered to be best when brought up from a cool cellar shortly before use. All these are matters of considerable importance, and show that the judging of wines requires something more than a mere off-hand opinion. There are certain descriptions of the different varieties of wines, given by Thudicum and Dupre, Vizetelly and others, which are of great assistance in helping to a knowledge of the various desiderata to be looked for. Moreover, much will be gained by collecting them together, as their principal characteristics will be better remembered when they are thus contrasted with each other. It is not my wish to laud the wines of other countries to the disparagement of Australian growths, but it is my object to show clearly those desirable properties which all good wines should possess. A knowledge of these lofty standards will do more to better the quality of our Australian wines than anything I know of. The wines of the Medoc, that district of the Gironde which produces the finest clarets, namely, Chateau Margaux, Chateau Lafitte, Chateau Latour, &c., possess distinguishing features peculiar to themselves. They have a certain slight distinctive roughness; are fine, juicy, marrowy in the mouth, and after having been in bottle some years they acquire a very beautiful bouquet. They have, moreover, this remarkable hygienic quality, that they can be drunk in large quantity without, as the French say, "fatiguing" either head or stomach. But there is another portion of the Bordeaux country, namely the GRAVES, which produces both red and white wines. The latter include those magnificent Sauternes, Chateau d'Yquem and La Tour Blanche, which take such high rank; Chateau d'Yquem, indeed, has been likened to liquid gold--liquid gold in a crystal glass--and is one of those most luscious and delicately aromatic of wines, with an exquisite bouquet and rich, delicious flavour. As it has already been stated, Bordeaux and Burgundy are entirely different wines, and this fact must be well remembered. The wines of the latter comprise some of the most famous growths of France, and are distinguished by the suavity of their taste, their finesse, and spirituous aroma The red wines have a fine colour, a good deal of bouquet, and a delicious taste. They give tone to the stomach, and facilitate digestion. Of these red wines of Burgundy the Romanee-Conti is among the first growths, and it is renowned for its fine colour, its aroma, its delicacy, and the superb quality of its delicious taste. Clos de Vougeot is another great growth, which is slightly more alcoholic than the preceding. Chambertin, also, possesses a good deal of seve, delicacy, perfect taste, and pleasant bouquet; moreover, it has a softness which made it an especial favourite with the great Napoleon. Corton, likewise, is of high colour, corse, and, as it gets older, acquires a great deal of seve and bouquet. The white wines of Burgundy however, must not be forgotten, for amongst them is the renowned Chablis. This, with the oysters, the squeeze of lemon juice, and the brown bread and butter, usually heralds in any large dinner. Although slightly alcoholic, it is not heady, and possesses body, delicacy, and an agreeable perfume, with that distinguishing PIERRE A FUSIL taste--that flinty flavour--which is its recognised characteristic. Leaving the Bordeaux wines and the wines of Burgundy, it is next desirable to speak of one which belongs to the South of France. It is well known, at least by name, to most Australians, and any description of its properties, therefore, will be the more appreciated. This is the Muscat of Rivesaltes, in the department of the Oriental Pyrenees. By some it is esteemed the best liqueur wine in the world. A good sample of it possesses great finesse, a good deal of vinosity, and that wonderful muscadine bouquet which gives to it its celebrated characters. There is another wine, coming from the valley of the Rhone, in the south-eastern portion of France, whose name is equally familiar to most Australians; this is the Red Hermitage, or, as it is perhaps more commonly known amongst us, Shiraz, wine. A genuine wine is distinguished by great richness, a lively purple colour, and a special bouquet; and it becomes, by these united qualities, the best wine of this region. Turning to the German wines, those of the Rheingau must claim our attention. This district borders on the Rhine, and it is said that the river acts as a mirror, in reflecting the rays of the sun towards the vineyards. The Rheingau must not be confused with the district of Hochheim, which is situated on the Maine. Yet it is curious that the first syllable of the latter district (Hochheim) has furnished the monosyllabic English word Hock, under which are confused ALL the Rhine wines. Amongst the wines of the Rheingau may be enumerated Steinberg, Marcobrunner, and Johannisberg. With regard to the wines of the Rheingau, Mr. Henry Vizetelly observes: "Although the flavour and bouquet of the grand wines of the Rheingau are equally pronounced, it is exceedingly difficult to characterise them with precision. After gratifying the sense of smell with the fragrant odour which they evolve --and which is no mere evanescent essence vanishing as soon as recognised, but often a rich odour which almost scents the surrounding atmosphere--you proceed to taste the vine, and seem to sip the aroma exhaled by it. Now and then you are conscious of a refilled pungent flavour, and at other times of a slight racy sharpness, while the after-taste generally suggests more of an almond flavour than any other you can call to mind. No wines vary so much in their finer qualities as the grand growths of the Rheingau. The produce of a particular vineyard, although from the same species of grape, cultivated under precisely similar conditions, will differ materially in flavour and bouquet, not merely in bad and good years, but in vintages of equal excellence. Moreover, these wines need the most skilful cellar treatment during the long years they are maturing. All great wines, it should be remembered, ripen slowly, and cannot be 'pasturised' into perfection--that is to say, cannot be rapidly matured by heating them to a certain temperature, as ordinary wines may be." The Hochheim vineyards are situated, as I have previously indicated, on the banks of the Maine, several miles above its confluence with the Rhine. There is one exceptionally fine Hochheim growth which comes from the vineyard of the "Dechanei," or deanery. True Hochheinner is a remarkably aromatic wine, and possesses both body and fire. Indeed, it contains as large a percentage of alcohol as the so-called noble Steinberger--the most spirituous of the Rhenish growths--with more sweetness. It consequently lacks that subdued acidulous freshness of flavour which is such a marked characteristic of the wines of the Rheingau. Some reference to sherry and port is necessary, because they are both types of wines that are widely known, and consequently ally remarks concerning, them are of value by comparison. It would appear that with most sherry, and certainly with all port, there is an addition of alcohol to the wine. Even the wines which are sold in England under the name of "natural sherry" contain from 13.2 to 15.5 per cent. of alcohol. Beyond all question, therefore, from 1 1/2 to 3 1/2 per cent. of alcohol must have been added, for no "natural sherry" should ever contain more than 12 per cent. of alcohol. Some sherries, however, have been introduced with an alcoholicity of from 12 to 13.6 per cent., with the following, characters: The taste is freely vinous, rich, pure, mellow, and quite free from heat or the taste of added spirit. But fashion has much to do with the type of sherry in request; thus the colour has varied from time to time. In the same way, too, a taste for dry sherries arose with the Manzanilla epoch, only to be carried to excess. As with all other wines, a certain age in sherry is desirable; the ethers become developed during this period, and impart a rich flavour to it. In the course of time, however, sherry falls off so much that it is only fit for giving flavour to young wine. In the matter of port, also, it may confidently be asserted that not a single drop is sold that does not contain a certain amount of added brandy. That is to say, all port wine, without exception, is brandied. The effect of the brandy is to keep the wine quiet; it prevents it from undergoing any fermentation; and, what is more, it keeps it from changing, no matter whether the climate be hot or cold. Messrs. Thudicum and Dupre state that a perfectly natural port has 9 per cent. of alcohol as the lowest, and 13.8 per cent. as the highest limit. A sample of Alto Douro wine submitted to these gentlemen, although it was slightly alcoholised, yet possessed the following desirable qualities: it was fine, because it was derived from the finest and ripest Alto Douro grapes, the Verdeilho and Bastardo; it was full, owing to its great vinosity and high amount of natural alcohol, yet free from adventitious syrup; and it was pure, because free from all those faults which depreciate so many southern wines, such as the fousel flavour, or the burning taste of distilled spirit. Besides all these great qualities, it characteristically possessed the very essence of an ideal port wine flavour--without the saccharine and spirituous taste commonly found in port wine--and it had a natural smooth astringency such as pleases the palate and imparts keeping qualities. Moreover, it was very unlike the artificial sweet and burning products commonly called port wine. It was thoroughly fermented, and contained such a minute quantity of grape sugar that the latter could not be possibly detected by the taste. It was perfectly dry, and thereby differed entirely from ordinary port wines, which contain from 2 to 6 per cent. of sugar. Its alcoholicity was certainly below all the port wines usually sold. With all these desirable qualities, therefore, it possessed high dietetic and hygienic virtues, and refreshed the system like Burgundy or Medoc wine. It will be convenient to make reference here to two terms about which there is a great deal of confusion. It is the difference between the "aroma" and the "bouquet" of wine. Now, the Settimana Vinicola has recently well observed that although these two are usually supposed to be the same, yet they are entirely different. The aroma of a wine is altogether distinct from those agreeable and delicate odours known by the name of "bouquet." For instance, some American grapes have what is called a "foxy" smell, and the wine prepared from them has this aroma, which is perceptibly disagreeable. Aroma pre-exists in certain grapes, and during vinification will pass into the resulting wine. On the other hand, perfume, the bouquet of the French, as it has been pointed out by Professor G. Grazzi-Soncini, is the complex sensation produced simultaneously on the palate and nose, owing to the intimate connection between these two organs, and which has already been referred to. This bouquet is due to the action of the ethers, which are formed during the life of the wine. The CORRIERE DEL VILLAGIO remarks, in addition to the preceding, that there is a chemical difference between the "aroma" and the "bouquet" of wine. The former is produced chiefly by one or more carburets of hydrogen, and their oxidation derivatives. The bouquet, however, results from the admixture of aldehydes with one or more essential oils and various ethers, produced by combination of fatty and other acids with ethylic and other alcohols, and from these changes result the different ethers which constitute the bouquet of wine. One of the most valuable books published on vine-growing and wine-making is that by the justly celebrated Dr. Jules Guyot. The greater part of one particularly important chapter is wholly taken up with the most graphic and lucid description of wine-tasting with which we are acquainted. Besides this, it contains such an amount of information on the subject, that no remarks in this connection would be complete without reference to it. For the following vivid rendering of a good deal of this very chapter I am very much indebted to my friend Dr. John Steel, of Sydney:-- "Wine put upon its trial is subjected to two jurisdictions; the one altogether belonging to the senses, the other wholly physiological. The appreciation of wine by the senses is referred to three of our organs of sense--the eye; the nasal chambers, in front and behind; and the mouth, equally at its anterior and posterior part. "WINE JUDGED BY THE SIGHT.--Wine pleases the eye by its clearness and colour: and be it ruby, rose, amber, or white, it ought always to have perfect clearness and freshness of colour. Neither of these latter tones will be out of harmony in a really good wine, even in extreme old age. If you will not take upon yourself to decide whether a wine is good when it is attractive to the sight, you can always say that it is not good or at least that it is not in the best condition, when its transparency and shades of colour are questionable. Freshness of colour and clearness are good signs. Though they are not to be regarded as qualities, yet any appearance to the contrary betokens real defects in the wine. "WINE JUDGED BY THE SENSE OF SMELL; THE TWO ODOURS OF WINE.--Wine reveals itself by two sorts of odours (the aroma and the bouquet) to the outer organ of smell--that is to say, when that sense is exercised by inhaling (or sniffing) the wine. The first, or aroma, is the general and common odour peculiar to most wines. It is always strongest when the wine is newest, but it always characterises good wine, however old it may be. This first odour seems to be due to the volatilization of the spirit, which holds in solution an essential oil, more or less volatile, more or less powerful, and more or less characteristic of each kind of wine. This aroma is a sign of real quality in the wine, and is generally very strong and very noticeable during the first years; it becomes concentrated, refined, and attenuated as the